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Russian literature · Gogol and the absurd

Russian Absurdism

A nose becomes a state councillor. A clerk discovers he is a king. A coat promises a place in the world.

Three complete stories by Nikolai Gogol, in Claud Field’s English translations: rank, routine and humiliation carried past the point where ordinary life makes sense.

Portrait of Nikolai Gogol by Fyodor Moller, 1840
Nikolai Gogol, 1840. Fyodor Moller. Tretyakov Gallery. Image source · public domain.

Nikolai Gogol · Claud Field translation

The Nose

A nose leaves its owner and moves through St Petersburg with a rank of its own.

Complete text · 9,010 words · US public domain

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Nikolai Gogol · Claud Field translation

Memoirs of a Madman

Also known as Diary of a Madman.

A clerk’s dated entries turn status, desire and humiliation into an increasingly fractured reality.

Complete text · 7,989 words · US public domain

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Nikolai Gogol · Claud Field translation

The Mantle

Also known as The Overcoat.

A copying clerk’s new coat becomes a fragile promise of dignity in an indifferent city.

Complete text · 11,023 words · US public domain

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Before absurdism had a name

Gogol’s nineteenth-century stories are presented here as precursors to later absurdist writing. This is a reading connection, rather than a claim that Gogol belonged to a later literary movement.

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Edition and sources

All three texts use the same Claud Field translation in The Mantle and Other Stories. Memoirs of a Madman is also known as Diary of a Madman; The Mantle is also known as The Overcoat. Edition titles are retained on the reading pages.

The source catalog lists the English edition as public domain in the USA and credits Claud Field as translator. Each reading page includes attribution, digitization credits and the source edition’s full license.